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Talking Funny For Money: How-To Tips
& Succeeding in NYC (& NY Class May 1-4)
April 26, 2010
If you're making a living Talking Funny for Money, it might be thanks to what you've learned from voice actor Pamela Lewis's CD-book workshop of that name - or the annual four-night workshop she teaches in New York City.In fact, the next workshop begins this Saturday night, May 1, and runs for four consecutive nights. Details are below for the few remaining spaces - but it's important to register ASAP in order to receive advance course materials.
VoiceOverXtra asked Lewis for some how-to tips, and below she shares with us:
CHARACTER VOICE SHORTCUTS
Quick, gimme ...
1. "Calcutta" Dialect: Try holding a pencil between your teeth while talking. This will soften the consonants and force the sound to the back of your mouth, where the Indian accent lives.
2. Baby: A baby has a tiny throat opening, so when voicing an infant, first stuff your tongue into the back of your throat. This will leave a smaller passageway for sound, and lead to more authentic (and lucrative) baby noises.
3. Sexy: For a quick sexy/textured/low voice - which is popular in many cosmetic voice-overs, book ads for romance novels and corporate narrations - before going to sleep, try “controlled growling,” (demonstrated on the Talking Funny for Money CDs), followed by a warm salt-water gargle. You should wake up without a sore throat, and with a lower, more textured sound.
How to succeed in this business in New York City is another big question, which Lewis answers below. But first ...
WORKSHOP FEATURES MORE ...
The coming workshop features a treasury of how-to advice for creating cartoon and character voices, including:
The workshop will be held from 7 to 10 p.m. on May 1, 2, 3 and 4, at VoiceOvers Unlimited / Full House Studios, 18 West 18th Street, 7th Floor.
To participate, attendees must first have taken Lewis's intro-level course, which is on her Talking Funny for Money two-CD workshop, available in bookstores and online, including the VoiceOverXtra bookstore.
For more details and to register, please contact Lewis at pamelatffm@sbcglobal.net, or visit her web site: www.TalkingFunnyForMoney.com.
SUCCEEDING IN NEW YORK ...
Lewis also shares pointers for succeeding in this genre in her home town, New York.
"This is a standard statement from many agents, casting directors and producers," says Lewis, "but having made a living doing character voices here for 25 years, I beg to differ.
"The reason I offer my once-a-year Talking Funny For Money workshop in New York is not only because I want to discover and guide new talent, but also because I want to communicate my belief that, while the New York City character-voice arena is different from that of L.A., it’s not inferior or non-existent.
"It is that difference, however, that will require market-specific skills.
"Because of the various large animation studios, such as Disney, based in L.A., it might be possible to get plenty of work there by doing just a few 'cartoon' sounds well. But in New York we have to be more flexible to stay consistently employed.
WHAT WORKS ...
"There’s no Book of Rules that will work for everyone," Lewis adds, "so I can only tell you what has worked for me and other character-voice performers I’ve coached.
"After the skills that are universally required - such as acting talent, comic timing and mic technique - I focus on the versatility and self-direction that are so necessary here.
"I might be asked to bounce from:
ALL CHARACTER ROLES
"Many of these jobs aren’t particularly glamorous or high-profile, but they’re all character-voice roles," Lewis explains.
"I’m earning a living behind the mic while enjoying myself - and I’m not in L.A.!
"You will need many tools in your toolbox for this type of voice-over career in New York, as versatility is the quality that can keep you consistently employed. That versatility takes talent, training and hard work,
"But as I always say, 'If I can do it, you can do it.' "
OVERCAME CHALLENGES
"I entered the full-time, character-voice world late in my performance life," Lewis explains, "conquering an extreme regional accent, personal lack of interest in broad comedy, and 'there’s none of that work here' misinformation along the way.
"It required hours of classes, at-home practice, assembling professional tools and consistent marketing.
"And while I can’t say it was easy, it was certainly rewarding - because I love my work!
"I now consider a client’s non-helpful direction, such as 'I don’t know what I want, just give me a funny voice and sell the product,' to be an interesting challenge, rather than a daunting obstacle to a paycheck.
"I encourage you to acquire the information and training necessary to join me in doing character voices - a creative, growing and lucrative part of the performance industry -and one that can thrive in New York City!"
Email: pamelatffm@sbcglobal.net
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